Christmas Mats
Holiday Floor and Door Mat

Personnel: Marla Hansen (vocals, viola); Casey Foubert (electric guitar); Rob Moose, Amie Weiss, Hiroko Taguchi, Olivier Manchon (violin); Beth Meyers (viola); Jody Redhage (cello); Alex Sopp (flute, alto flute, piccolo); Sato Moughalian (flute, piccolo); Jay botherr (clarinet, bass clarinet); Hideaki Aomori (clarinet); Theo Primis (French horn); Tim Albright (trombone); Alan Hampton, Mat Fieldes (upright bass); Matt Moran (drums, percussion).Audio Mixer: Sufjan Stevens.Liner Note Author: Sufjan Stevens.Illustrator: Sufjan Stevens.Photographer: Sufjan Stevens.After successfully navigating his way into the mainstream with 2005`s epic ILLINOISE, ultra-prolific indie pop prince Sufjan Stevens had no intention of laying low. Instead, he released a set of ILLINOISE outtakes, a five-disc collection of Christmas songs, and staged a "symphonic and cinematic exploration of New York City`s infamous Brooklyn-Queens Expressway" that included a self-made Super 8 millimetres film, a full orchestra, and a small army of hula hoopers performing live in front of a sold-out Brooklyn Academy of Music. whilst it could be argued that the ambitious THE BQE serves as the "New York" chapter in his abandoned fifty states project, it hardly fits in with the other two entries. Many pop musicians have ventured into the classical realm (David Byrne, Paul McCartney, Roger Waters, Elvis Costello, to name a few), but Stevens had already been dabbling in strings, woodwinds, and horns quite admirably since his lo-fi 2000 debut. Closer to the Godfrey Reggio/Philip Glass collaboration KOYAANNISQATSI than it is to Byrne`s THE FOREST, fans of the liberal, staccato woodwinds that peppered ILLINOISE will find much of THE BQE familiar. As always, Stevens` melodies are circular, occasionally precious, and frequently dissonant, but they are presented here with a maturity which will no doubt turn more than a few heads in the classical community, whilst simultaneously turning some away in the indie pop world. The package itself is truly impressive, boasting a highly stylized Japanese pop art-influenced jacket, a 40-page booklet, a stereoscopic 3D View-Master reel and a DVD of the Super 8 millimetres film that accompanied the performance. As lyrical a musician as he is, without his commanding use of language (the song cycle is completely instrumental), THE BQE loses some momentum near the end, but by then it`s become clear that, as is the case with all of his projects, the term "half-assed" doesn’t apply. Copyright (C) Muze Incorporated 2005. For personal use only. All rights reserved.

$14.23

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Personnel: Marla Hansen (vocals, viola); Casey Foubert (electric guitar); Rob Moose, Amie Weiss, Hiroko Taguchi, Olivier Manchon (violin); Beth Meyers (viola); Jody Redhage (cello); Alex Sopp (flute, alto flute, piccolo); Sato Moughalian (flute, piccolo); Jay botherr (clarinet, bass clarinet); Hideaki Aomori (clarinet); Theo Primis (French horn); Tim Albright (trombone); Alan Hampton, Mat Fieldes (upright bass); Matt Moran (drums, percussion).Audio Mixer: Sufjan Stevens.Liner Note Author: Sufjan Stevens.Illustrator: Sufjan Stevens.Photographer: Sufjan Stevens.After successfully navigating his way into the mainstream with 2005`s epic ILLINOISE, ultra-prolific indie pop prince Sufjan Stevens had no intention of laying low. Instead, he released a set of ILLINOISE outtakes, a five-disc collection of Christmas songs, and staged a "symphonic and cinematic exploration of New York City`s infamous Brooklyn-Queens Expressway" that included a self-made Super 8 millimetres film, a full orchestra, and a small army of hula hoopers performing live in front of a sold-out Brooklyn Academy of Music. whilst it could be argued that the ambitious THE BQE serves as the "New York" chapter in his abandoned fifty states project, it hardly fits in with the other two entries. Many pop musicians have ventured into the classical realm (David Byrne, Paul McCartney, Roger Waters, Elvis Costello, to name a few), but Stevens had already been dabbling in strings, woodwinds, and horns quite admirably since his lo-fi 2000 debut. Closer to the Godfrey Reggio/Philip Glass collaboration KOYAANNISQATSI than it is to Byrne`s THE FOREST, fans of the liberal, staccato woodwinds that peppered ILLINOISE will find much of THE BQE familiar. As always, Stevens` melodies are circular, occasionally precious, and frequently dissonant, but they are presented here with a maturity which will no doubt turn more than a few heads in the classical community, whilst simultaneously turning some away in the indie pop world. The package itself is truly impressive, boasting a highly stylized Japanese pop art-influenced jacket, a 40-page booklet, a stereoscopic 3D View-Master reel and a DVD of the Super 8 millimetres film that accompanied the performance. As lyrical a musician as he is, without his commanding use of language (the song cycle is completely instrumental), THE BQE loses some momentum near the end, but by then it`s become clear that, as is the case with all of his projects, the term "half-assed" doesn’t apply. Copyright (C) Muze Incorporated 2005. For personal use only. All rights reserved.

$16.65

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Personnel: Marla Hansen (vocals, viola); Casey Foubert (electric guitar); Rob Moose, Amie Weiss, Hiroko Taguchi, Olivier Manchon (violin); Beth Meyers (viola); Jody Redhage (cello); Alex Sopp (flute, alto flute, piccolo); Sato Moughalian (flute, piccolo); Jay botherr (clarinet, bass clarinet); Hideaki Aomori (clarinet); Theo Primis (French horn); Tim Albright (trombone); Alan Hampton, Mat Fieldes (upright bass); Matt Moran (drums, percussion).Audio Mixer: Sufjan Stevens.Liner Note Author: Sufjan Stevens.Illustrator: Sufjan Stevens.Photographer: Sufjan Stevens.After successfully navigating his way into the mainstream with 2005`s epic ILLINOISE, ultra-prolific indie pop prince Sufjan Stevens had no intention of laying low. Instead, he released a set of ILLINOISE outtakes, a five-disc collection of Christmas songs, and staged a "symphonic and cinematic exploration of New York City`s infamous Brooklyn-Queens Expressway" that included a self-made Super 8 millimetres film, a full orchestra, and a small army of hula hoopers performing live in front of a sold-out Brooklyn Academy of Music. whilst it could be argued that the ambitious THE BQE serves as the "New York" chapter in his abandoned fifty states project, it hardly fits in with the other two entries. Many pop musicians have ventured into the classical realm (David Byrne, Paul McCartney, Roger Waters, Elvis Costello, to name a few), but Stevens had already been dabbling in strings, woodwinds, and horns quite admirably since his lo-fi 2000 debut. Closer to the Godfrey Reggio/Philip Glass collaboration KOYAANNISQATSI than it is to Byrne`s THE FOREST, fans of the liberal, staccato woodwinds that peppered ILLINOISE will find much of THE BQE familiar. As always, Stevens` melodies are circular, occasionally precious, and frequently dissonant, but they are presented here with a maturity which will no doubt turn more than a few heads in the classical community, whilst simultaneously turning some away in the indie pop world. The package itself is truly impressive, boasting a highly stylized Japanese pop art-influenced jacket, a 40-page booklet, a stereoscopic 3D View-Master reel and a DVD of the Super 8 millimetres film that accompanied the performance. As lyrical a musician as he is, without his commanding use of language (the song cycle is completely instrumental), THE BQE loses some momentum near the end, but by then it`s become clear that, as is the case with all of his projects, the term "half-assed" doesn’t apply. Copyright (C) Muze Incorporated 2005. For personal use only. All rights reserved.

$15.85

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Personnel: Marla Hansen (vocals, viola); Casey Foubert (electric guitar); Rob Moose, Amie Weiss, Hiroko Taguchi, Olivier Manchon (violin); Beth Meyers (viola); Jody Redhage (cello); Alex Sopp (flute, alto flute, piccolo); Sato Moughalian (flute, piccolo); Jay botherr (clarinet, bass clarinet); Hideaki Aomori (clarinet); Theo Primis (French horn); Tim Albright (trombone); Alan Hampton, Mat Fieldes (upright bass); Matt Moran (drums, percussion).Audio Mixer: Sufjan Stevens.Liner Note Author: Sufjan Stevens.Illustrator: Sufjan Stevens.Photographer: Sufjan Stevens.After successfully navigating his way into the mainstream with 2005`s epic ILLINOISE, ultra-prolific indie pop prince Sufjan Stevens had no intention of laying low. Instead, he released a set of ILLINOISE outtakes, a five-disc collection of Christmas songs, and staged a "symphonic and cinematic exploration of New York City`s infamous Brooklyn-Queens Expressway" that included a self-made Super 8 millimetres film, a full orchestra, and a small army of hula hoopers performing live in front of a sold-out Brooklyn Academy of Music. whilst it could be argued that the ambitious THE BQE serves as the "New York" chapter in his abandoned fifty states project, it hardly fits in with the other two entries. Many pop musicians have ventured into the classical realm (David Byrne, Paul McCartney, Roger Waters, Elvis Costello, to name a few), but Stevens had already been dabbling in strings, woodwinds, and horns quite admirably since his lo-fi 2000 debut. Closer to the Godfrey Reggio/Philip Glass collaboration KOYAANNISQATSI than it is to Byrne`s THE FOREST, fans of the liberal, staccato woodwinds that peppered ILLINOISE will find much of THE BQE familiar. As always, Stevens` melodies are circular, occasionally precious, and frequently dissonant, but they are presented here with a maturity which will no doubt turn more than a few heads in the classical community, whilst simultaneously turning some away in the indie pop world. The package itself is truly impressive, boasting a highly stylized Japanese pop art-influenced jacket, a 40-page booklet, a stereoscopic 3D View-Master reel and a DVD of the Super 8 millimetres film that accompanied the performance. As lyrical a musician as he is, without his commanding use of language (the song cycle is completely instrumental), THE BQE loses some momentum near the end, but by then it`s become clear that, as is the case with all of his projects, the term "half-assed" doesn’t apply. Copyright (C) Muze Incorporated 2005. For personal use only. All rights reserved.

$20.20

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m LAKE LYRICS 14SI OTHER POEMS - 1889. - - - . CONTENTS . PRELUDE VAPOR AND BLUE . PART I . PAGE To the Lakes. . . . . . . . . . . . . . 13 A Lake Memory. . . . . . . . . . . . . 15 The. Winter aces. . . . . . . . . . . . . 16 Keziah. . . . . . . . . . . . . . 18 Morning on the Beach. . . . . . . . . . . 22 The Heart of the Lakes. . . . . . . . . . . 23 A Day of Mists. . . . . . . . . . . . . . 25 Dawn in the Island Camp. . . . . . . . . . . twenty seven By Hurons Shore. . . . . . . . . . . . 28 How Spring Came. . . . . . . . . . . . 31 In the River Bay. . . . . . . . . . . . . thirty two Lake Huron. . . . . . . . . . . . . . . 35 To the Blackberry. . . . . . . . . . . . . . 36 Manitou. . . . . . . . . Autumns Chant. . . . . . The Flight of the Gulls. . . . . A Lyric of Weariness. . . . . August Evening on the Beach. Lake Huron. Invocaton to the Lakes. . . . . A Lyric. . . . . . . . . At the Landing. . . . . . Sunset. Lake Huron. . . . . . On the Ledge. . . . . . The Legend of Restless Rver. . The Legend of Dead Mans Lake. Ode. To the Lakes. . . . Ode. To Thunder Cape. . . . Danl and Mat. . . . . August Night on Georgian Bay. . The Tides of Lawn. . . . Crags. . . . . . . . . . . . . . . 81 Medwayosh. . . . . . . . . . . . . . 82 At the Rivers Mouth. . . . . 83 5 . Contents . PART 11 . PAGE Snow. . . . . . . . . . . . . . 87 Canadian Folksong. . . . . . . . . . . . 89 To a Robin in November. . . . 91 In the Study. . . . . . . . . . . . . 93 On Christmas Eve. . . . . . . . . . . . 94 By the Fire. . . . . . . . . . . . . . 95 Little Blue Eyes and Golden Hair. . . . . . . . 96 Barberries. . . . . . . . . . . . . . 98 The Passing Year. . . . . . . . . . . . 99 A Winters Night. . . . . . . . . . . . IOO Old Voices. . . . . . . . . . . . . . February. . . . . . . . . . . . . . 104 Midwinter Nights Drearn. . . . . . . . . . . 106 On a March Morning. . . . . . . . . . . 107 Sunbeams. . . . . . . . . . . . . 109 Before the Dawn. The Dewdrop. . . . . . . . . . . . . . . . . . . . . . . . I . 112 Indian Summer. 113 . . . . . To a Clump of Moss Kododactulos. The Meadow Spring. . . . . . . . . . . . . . . . . . . . 114 115 PART I11 . La zarus. . . . . . . . . . . . . . 119 The Hebrew Fathers Prayer. . . . . . . . . . 124 Ode. To Tennyson. . . . . . . . . . . . 127 . . . . . . . . . Ode. Canada to Great Britain. 132 Ode. To the Nineteenth Century. . . . . . . . . 136 Ode. To a Meadow Brook. . . . . . . . . . . . 140 Alone. . . . . . . . . . . . . . 142 Ballade of Two Riders. . . . . . . . . . 144 A Lyric of Love. . . . . . . . . . . . 148 The Phantoms of the Boughs on the Window. . . . . . 151 Titan. . . . . . . . . . . . . . . 154 Isolation. . . . . . . . . . . . . . . 158 Infancy. . . . . . . . . . . . . . 159 Knowledge. . . . . . . . . . . 160 102 PRELUDE. VAPOR AND BLUE. Domed with the azure of heaven, Floored with a flavemelzf of peavl, Clothed all about zuith a brightness Soft as the eyes of a girl, Girt with a magical g-irdle, Rimmed with a papor of rest - These are th...

$26.98

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Gardman, United States of America 8509 simple Change Mat Christmas

Sale price $18.56
Save on normal price of $23.20

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the prints are rotary screened on One hundred percent polyester pile for durability and lasting clarity. the care to detail and natural colors lend to their beauty has a thick 40oz. non-skid bonded urethane foam backing perfect for wall hangings as well as floor. approximate size 18'' x 27'' with rounded corners

Sale price $15.17
Save on normal price of $20.93

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Timeless designs constructed in felted wool for holiday decorating. Nine ornament designs that also make unique pincushions. Hand embroider and adorn with beads and buttons. A beaded Christmas tree garland and coordinating table mat/tree skirt are also included.

$13.99

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m LAKE LYRICS 14SI OTHER POEMS - 1889. - - - . CONTENTS . PRELUDE VAPOR AND BLUE . PART I . PAGE To the Lakes. . . . . . . . . . . . . . 13 A Lake Memory. . . . . . . . . . . . . 15 The. Winter aces. . . . . . . . . . . . . 16 Keziah. . . . . . . . . . . . . . 18 Morning on the Beach. . . . . . . . . . . 22 The Heart of the Lakes. . . . . . . . . . . 23 A Day of Mists. . . . . . . . . . . . . . 25 Dawn in the Island Camp. . . . . . . . . . . twenty seven By Hurons Shore. . . . . . . . . . . . 28 How Spring Came. . . . . . . . . . . . 31 In the River Bay. . . . . . . . . . . . . thirty two Lake Huron. . . . . . . . . . . . . . . 35 To the Blackberry. . . . . . . . . . . . . . 36 Manitou. . . . . . . . . Autumns Chant. . . . . . The Flight of the Gulls. . . . . A Lyric of Weariness. . . . . August Evening on the Beach. Lake Huron. Invocaton to the Lakes. . . . . A Lyric. . . . . . . . . At the Landing. . . . . . Sunset. Lake Huron. . . . . . On the Ledge. . . . . . The Legend of Restless Rver. . The Legend of Dead Mans Lake. Ode. To the Lakes. . . . Ode. To Thunder Cape. . . . Danl and Mat. . . . . August Night on Georgian Bay. . The Tides of Lawn. . . . Crags. . . . . . . . . . . . . . . 81 Medwayosh. . . . . . . . . . . . . . 82 At the Rivers Mouth. . . . . 83 5 . Contents . PART 11 . PAGE Snow. . . . . . . . . . . . . . 87 Canadian Folksong. . . . . . . . . . . . 89 To a Robin in November. . . . 91 In the Study. . . . . . . . . . . . . 93 On Christmas Eve. . . . . . . . . . . . 94 By the Fire. . . . . . . . . . . . . . 95 Little Blue Eyes and Golden Hair. . . . . . . . 96 Barberries. . . . . . . . . . . . . . 98 The Passing Year. . . . . . . . . . . . 99 A Winters Night. . . . . . . . . . . . IOO Old Voices. . . . . . . . . . . . . . February. . . . . . . . . . . . . . 104 Midwinter Nights Drearn. . . . . . . . . . . 106 On a March Morning. . . . . . . . . . . 107 Sunbeams. . . . . . . . . . . . . 109 Before the Dawn. The Dewdrop. . . . . . . . . . . . . . . . . . . . . . . . I . 112 Indian Summer. 113 . . . . . To a Clump of Moss Kododactulos. The Meadow Spring. . . . . . . . . . . . . . . . . . . . 114 115 PART I11 . La zarus. . . . . . . . . . . . . . 119 The Hebrew Fathers Prayer. . . . . . . . . . 124 Ode. To Tennyson. . . . . . . . . . . . 127 . . . . . . . . . Ode. Canada to Great Britain. 132 Ode. To the Nineteenth Century. . . . . . . . . 136 Ode. To a Meadow Brook. . . . . . . . . . . . 140 Alone. . . . . . . . . . . . . . 142 Ballade of Two Riders. . . . . . . . . . 144 A Lyric of Love. . . . . . . . . . . . 148 The Phantoms of the Boughs on the Window. . . . . . 151 Titan. . . . . . . . . . . . . . . 154 Isolation. . . . . . . . . . . . . . . 158 Infancy. . . . . . . . . . . . . . 159 Knowledge. . . . . . . . . . . 160 102 PRELUDE. VAPOR AND BLUE. Domed with the azure of heaven, Floored with a flavemelzf of peavl, Clothed all about zuith a brightness Soft as the eyes of a girl, Girt with a magical g-irdle, Rimmed with a papor of rest - These are th...

$17.48

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