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Tidal Clock
And How Tide Clocks Work
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Whatever your relationship with the sea, it is always important and useful to know the current position of the tide. Buy one of these tidal clocks for yourself or as a gift to someone who enjoys sailing, fishing or simply being near the sea, and you'll be getting something that will be useful for many years to come.
How does a tide clock work?
Due to the fact that the gravitational pull of the moon on the oceans is the major influence on the tides, tidal clocks work by timing the aparent motion of the moon around the earth. The actual true orbit of the moon takes 29 days, 12 hours, 44 minutes and 2.8 seconds, (ie 29.53 days) but as the earth is spinning on its own axis too, the moon appears to rise and set every day as the earth turns, in a similar way to how the sun appears to rise and set every day. The direction of the moon's actual 29.53 day cycle around the earth is the same direction as the turn of the earth''s axis. Therefore by the time the earth has turned once on its axis (which takes 24 hours), the moon has advanced around the earth a little. The advance of the moon in one day is 1/ 29.53 of its full cycle. The planet earth must therefore rotate for another 1/29.53 of a day (48.76 minutes) to arrive at where the moon was after the earth's initial 24 hour turn. You can take this further by realising that after these extra 48.76 minutes of the earth's travel, the moon has again moved forward a little more, but we're now getting into such exact figures that become slightly inappropriate when talking about the tide, as, although it the sun's influence is much less than that of the moon when it comes to tidal flow, the position of the sun does also have a small influence on the tidal flows.The sun's effect on the timing of tides is greates at times of the last quarter and first quarter of the moon. At this point the moon and sun are at right angles to each other when viewed from earth. This causes the high tides to be lower than usual, and low tides to be higher than usual, and can cause differences of up to half an hour in expected high and low tide times. Effectively then, we're talking about a period of around 24 hours 48.7 minutes between the moon appearing in the same part of our sky when viewed from earth. At first thought it would appear that this would give only one high tide per day, but in most areas there are actually two high tides and two low tides each day. This is due to the effects of gravitation on the solid body of the planet earth, and also the effect of centrifugal forces. |
 Ocean (Metal) - Here Where Nothing GrowsOcean: jl, Eric Brackett, Reuben J Little, Candy.Recording information: Bandsaw Recording, Portland, ME (08/2005).On their full-length debut, Portland, ME`s Ocean stand between doom metal`s insular, shadowy underworld and the relatively more expressive sounds of post-rock. In the three extended pieces on Here Where Nothing Grows -- 20 mins is the median length -- Ocean eke out every last resonating echo in the guitars, and roar with a wordless rage that`s as bleak as anything by Leviathan. There`s a cold wind blowing in from the sea on this album, and it`s never even heard of good news. But there`s also a deadly, dreary accuracy to Ocean`s sound that offers more than doom metal`s easy, powerful grasp. The snare drum is placed with deadly, dreary accuracy throughout Nothing Grows, and there`s a sense of Ocean`s internal clock in the waning, bass-heavy tick of "First Reign" or "Salt"`s surprisingly introspective sweep. Gentle notes ring out over an unsettled whine of distortion in "Fall" -- that`s before the downright demonic vocals appear -- and in its initial sequences "Salt" recommends the earliest primordial lunges of grunge before transitioning into an epic sweep closer to the exploration of Pelican. (In fact Ocean originally collaborated with Pelican producer Sanford Parker on Here Where Nothing Grows before scrapping those sessions and re-recording the album in their home town.) By integrating authentic introspection or the occasional blast of conventional riffing, Ocean avoid drifting into that doom metal ether where faceless souls compete to see who can play slower or scarier. Of course Nothing Grows still isn`t any kind of picnic. Its darkness lingers determinedly, like angels of death camping in your peripheral vision, and it offers no hope, only black ink and bones floating in the rising tide. But Here Where Nothing Grows is as musical as it is menacing, and that makes it doubly powerful. ~ Johnny Loftus Copyright (C) Muze Incorporated 2005. For personal use only. All rights reserved.
$14.34
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 Landmark StatusLandmark Status careens madly through a subtropical tangle of legal actions, spirits, spells, kung fu, car wrecks, football, phobias, fetishes, wooden flutes, pet rabbits and vintage aircraft, whilst the fate of Miami?s famed Century Club hangs in the balance. Once a notorious nightspot, the Club just awoke from decades of slumbering decay?thanks to a local building boom. Now everybody?s scrambling to bury it under a fabulous high-rise. Lawyer Benjy Bluestone couldn?t care less, but a client owns the Club and seeks his help. It gets easier to say yes when he learns that beautiful broker Delia Torres is involved, even though she represents a developer who?s furious to find the Club?s been optioned to a rival. Benjy and Delia soon discover her client will stop at nothing to turn that option into ?something so ugly the tide won?t take it out.? Racing the clock, they join forces on the road to Opa-locka, where a violent confrontation threatens to blow the deal sky high. ?Move over, Carl Hiaasen! This brilliantly humourous romp through the ?real? Miami will have you howling with laughter and booking your trip to South Beach. You?re gonna love it!? ?Michael Levin, author of Soft Target
$32.98
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Ocean (Metal) - Here Where Nothing GrowsOcean: jl, Eric Brackett, Reuben J Little, Candy.Recording information: Bandsaw Recording, Portland, ME (08/2005).On their full-length debut, Portland, ME`s Ocean stand between doom metal`s insular, shadowy underworld and the relatively more expressive sounds of post-rock. In the three extended pieces on Here Where Nothing Grows -- 20 mins is the median length -- Ocean eke out every last resonating echo in the guitars, and roar with a wordless rage that`s as bleak as anything by Leviathan. There`s a cold wind blowing in from the sea on this album, and it`s never even heard of good news. But there`s also a deadly, dreary accuracy to Ocean`s sound that offers more than doom metal`s easy, powerful grasp. The snare drum is placed with deadly, dreary accuracy throughout Nothing Grows, and there`s a sense of Ocean`s internal clock in the waning, bass-heavy tick of "First Reign" or "Salt"`s surprisingly introspective sweep. Gentle notes ring out over an unsettled whine of distortion in "Fall" -- that`s before the downright demonic vocals appear -- and in its initial sequences "Salt" recommends the earliest primordial lunges of grunge before transitioning into an epic sweep closer to the exploration of Pelican. (In fact Ocean originally collaborated with Pelican producer Sanford Parker on Here Where Nothing Grows before scrapping those sessions and re-recording the album in their home town.) By integrating authentic introspection or the occasional blast of conventional riffing, Ocean avoid drifting into that doom metal ether where faceless souls compete to see who can play slower or scarier. Of course Nothing Grows still isn`t any kind of picnic. Its darkness lingers determinedly, like angels of death camping in your peripheral vision, and it offers no hope, only black ink and bones floating in the rising tide. But Here Where Nothing Grows is as musical as it is menacing, and that makes it doubly powerful. ~ Johnny Loftus Copyright (C) Muze Incorporated 2005. For personal use only. All rights reserved.
$15.98
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Ocean (Metal) - Here Where Nothing GrowsOcean: jl, Eric Brackett, Reuben J Little, Candy.Recording information: Bandsaw Recording, Portland, ME (08/2005).On their full-length debut, Portland, ME`s Ocean stand between doom metal`s insular, shadowy underworld and the relatively more expressive sounds of post-rock. In the three extended pieces on Here Where Nothing Grows -- 20 mins is the median length -- Ocean eke out every last resonating echo in the guitars, and roar with a wordless rage that`s as bleak as anything by Leviathan. There`s a cold wind blowing in from the sea on this album, and it`s never even heard of good news. But there`s also a deadly, dreary accuracy to Ocean`s sound that offers more than doom metal`s easy, powerful grasp. The snare drum is placed with deadly, dreary accuracy throughout Nothing Grows, and there`s a sense of Ocean`s internal clock in the waning, bass-heavy tick of "First Reign" or "Salt"`s surprisingly introspective sweep. Gentle notes ring out over an unsettled whine of distortion in "Fall" -- that`s before the downright demonic vocals appear -- and in its initial sequences "Salt" recommends the earliest primordial lunges of grunge before transitioning into an epic sweep closer to the exploration of Pelican. (In fact Ocean originally collaborated with Pelican producer Sanford Parker on Here Where Nothing Grows before scrapping those sessions and re-recording the album in their home town.) By integrating authentic introspection or the occasional blast of conventional riffing, Ocean avoid drifting into that doom metal ether where faceless souls compete to see who can play slower or scarier. Of course Nothing Grows still isn`t any kind of picnic. Its darkness lingers determinedly, like angels of death camping in your peripheral vision, and it offers no hope, only black ink and bones floating in the rising tide. But Here Where Nothing Grows is as musical as it is menacing, and that makes it doubly powerful. ~ Johnny Loftus Copyright (C) Muze Incorporated 2005. For personal use only. All rights reserved.
$20.36
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Landmark StatusLandmark Status careens madly through a subtropical tangle of legal actions, spirits, spells, kung fu, car wrecks, football, phobias, fetishes, wooden flutes, pet rabbits and vintage aircraft, whilst the fate of Miami?s famed Century Club hangs in the balance. Once a notorious nightspot, the Club just awoke from decades of slumbering decay?thanks to a local building boom. Now everybody?s scrambling to bury it under a fabulous high-rise. Lawyer Benjy Bluestone couldn?t care less, but a client owns the Club and seeks his help. It gets easier to say yes when he learns that beautiful broker Delia Torres is involved, even though she represents a developer who?s furious to find the Club?s been optioned to a rival. Benjy and Delia soon discover her client will stop at nothing to turn that option into ?something so ugly the tide won?t take it out.? Racing the clock, they join forces on the road to Opa-locka, where a violent confrontation threatens to blow the deal sky high. ?Move over, Carl Hiaasen! This brilliantly humourous romp through the ?real? Miami will have you howling with laughter and booking your trip to South Beach. You?re gonna love it!? ?Michael Levin, author of Soft Target
$23.98
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Ocean (Metal) - Here Where Nothing GrowsOcean: jl, Eric Brackett, Reuben J Little, Candy.Recording information: Bandsaw Recording, Portland, ME (08/2005).On their full-length debut, Portland, ME`s Ocean stand between doom metal`s insular, shadowy underworld and the relatively more expressive sounds of post-rock. In the three extended pieces on Here Where Nothing Grows -- 20 mins is the median length -- Ocean eke out every last resonating echo in the guitars, and roar with a wordless rage that`s as bleak as anything by Leviathan. There`s a cold wind blowing in from the sea on this album, and it`s never even heard of good news. But there`s also a deadly, dreary accuracy to Ocean`s sound that offers more than doom metal`s easy, powerful grasp. The snare drum is placed with deadly, dreary accuracy throughout Nothing Grows, and there`s a sense of Ocean`s internal clock in the waning, bass-heavy tick of "First Reign" or "Salt"`s surprisingly introspective sweep. Gentle notes ring out over an unsettled whine of distortion in "Fall" -- that`s before the downright demonic vocals appear -- and in its initial sequences "Salt" recommends the earliest primordial lunges of grunge before transitioning into an epic sweep closer to the exploration of Pelican. (In fact Ocean originally collaborated with Pelican producer Sanford Parker on Here Where Nothing Grows before scrapping those sessions and re-recording the album in their home town.) By integrating authentic introspection or the occasional blast of conventional riffing, Ocean avoid drifting into that doom metal ether where faceless souls compete to see who can play slower or scarier. Of course Nothing Grows still isn`t any kind of picnic. Its darkness lingers determinedly, like angels of death camping in your peripheral vision, and it offers no hope, only black ink and bones floating in the rising tide. But Here Where Nothing Grows is as musical as it is menacing, and that makes it doubly powerful. ~ Johnny Loftus Copyright (C) Muze Incorporated 2005. For personal use only. All rights reserved.
$16.79
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The New Complete Keyboard PlayerBook and CD set! All three parts of Kenneth Baker?s best-selling method, revised and fully updated, in one complete volume with a CD! Everything you require to know to get the most out of your electronic keyboard. Based on popular songs and with simple-to-follow text and diagrams, it assumes no previous knowledge of the keyboard or music. Includes great songs by Bryan Adams, Abba, The Beatles, David Bowie, Coldplay, Bob Dylan, Elton John, Simon and Garfunkel, Cat Stevens, Travis, Westlife and Robbie Williams. Part one includes? Playing technique and style About your keyboard The accompaniment section Single-finger and fingered chords Using synchro-start Major and seventh chords 12 right hand notes Note name stickers And these hit songs? The 59th Street Bridge Song (Feelin' Groovy) Bad Moon Rising Blowin? In The Wind Bye Bye Love Can You Feel The Love Tonight Catch A Falling Star Do Wah Diddy Diddy Grandfather's Clock Mr Tambourine Man One More Night Rio Grande Seasons In The Sun Where Have All The Flowers Gone? White Rose Of Athens Yellow Part 2 includes? Sharps, flats and naturals 7 new right-hand notes Minor chords Dotted notes and syncopation Chord chart And these hit songs? Father and Son Get Back Hello farewell (There's No Place Like) Home For The Holidays How Deep Is Your Love I Can See Clearly Now I Have A Dream In The Midnight Hour Lemon Tree Lovin' You Mrs. Robinson Moonshadow Rock Around The Clock Sailing Scarborough Fair/Canticle The Star-Spangled Banner Stuck In The Middle With You The Tide Is High Turn When You Say Nothing At All marvellous Tonight Part three includes? Scales and keys Triplets Sixteenth notes Dotted rhythms More major, seventh and minor chords Chord chart And these hit songs? Angels Can?t Get You Out Of My Head Danny Boy (Everything I Do) I Do It For You Hava Nagila I?ll Be There For You (Theme from Friends) I?m A Believer In The Air Tonight Isn?t She Lovely Livin? La Vida Loca Mamma Mia Ob-La-Di, Ob-La-Da Reach She?s The One Space Oddity Star Wars (Main Theme) This Masquerade We'll Meet Again The Winner Takes It All Wooly Bully
$22.48
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CELES COMPCT BAROMETRIC WEATHER STATION@@ Temperature - displays indoor and outdoor in either F or C @@ Humidity - displays indoor with inbuilt hygrometer @@ Weather Forecast - indication of current weather and atmospheric pressure shown with inbuilt barometer @@ Clock - digital quartz for accurate time @@ Calendar - displays month, day, day of week @@ Alert - minimum and maximum for indoor and outdoor temperature @@ Moon Phase @@ Tide - current information displayed @@ Alarm Clock - with snooze @@ two AA Batteries needed for Receiver (user supplied) @@ two AA Batteries needed for Sensor (user supplied) @@ Receiver Weight: 8 ounces (227g) @@ Receiver Size: 3.8 x 2.5 x 6.7 (97mm x 64mm x 170mm)
$39.95
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Tell Tale Hearts - High Tide: Anthology: 1983-1986Tell Tale Hearts: Ray Brandes (vocals, percussion); Eric Bacher, Peter Meisner (guitar); Bill Calhoun (harp, piano, organ, backilogramround vocals); Mike Stax (bass, backilogramround vocals); David Klowden (drums).Recorded between 1984 and 1986. Includes liner notes by Mike Stax.Personnel: Ray Brandes (vocals, percussion); Eric Bacher (guitar); Bill Calhoun (harp, piano, organ, backilogramround vocals); Mike Stax (bass guitar, backilogramround vocals); Dave Klowden (drums).Audio Remixers: Mike Stax; Ray Brandes; John Strother.Liner Note Authors: Dave Klowden; Tell-Tale Hearts.Recording information: Music Machine, Santa Monica, CA (01/1984-12/1986); Primitive A-Go-Go, Springfield, MO (01/1984-12/1986); Silvery Moon Studios (01/1984-12/1986); Studio 517 Demos, San Diego, CA (01/1984-12/1986); Studio 517, San Diego, CA (01/1984-12/1986); Swinging Studios, Dulzura (01/1984-12/1986).Animation: Rick Wilson.Photographers: Tony S nchez; Michael White .Taking Brit blues invaders like Them, the Animals, and the Yardbirds as a template, not to mention plenty of `60s garage inspiration, San Diego`s Tell-Tale Hearts forged a fairly original beat homage between 1983-1986. A bit too gritty and blues-based to really fit in with L.A.`s contemporary Byrds and pop-psychedelia revival (the Rain Parade, the Three O`Clock, Plasticland), the Hearts only cut one album, an EP, and a smattering of singles and live tracks. This anthology brings together a handful of songs from their eponymous debut LP (including an outtake and some remixes), all of their Now Sound EP, five early demos, a few live cuts, and an Australian single. Compiled by bassist Mike Stax and featuring the snider-than-Van Morrison vocals of Ray Brandes, the 21-track collection includes studio highlights like "(You`re A) Dirty Liar" and "Me Needing You," as well as some super lo-fi demo covers and a live rendition of the Seeds` "Satisfy You." The place to start and most probably end your Tell-Tall Hearts shopping spree. ~ Stephen Cook Copyright (C) Muze Incorporated 2005. For personal use only. All rights reserved.
$13.45
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Tell Tale Hearts - High Tide: Anthology: 1983-1986Tell Tale Hearts: Ray Brandes (vocals, percussion); Eric Bacher, Peter Meisner (guitar); Bill Calhoun (harp, piano, organ, backilogramround vocals); Mike Stax (bass, backilogramround vocals); David Klowden (drums).Recorded between 1984 and 1986. Includes liner notes by Mike Stax.Personnel: Ray Brandes (vocals, percussion); Eric Bacher (guitar); Bill Calhoun (harp, piano, organ, backilogramround vocals); Mike Stax (bass guitar, backilogramround vocals); Dave Klowden (drums).Audio Remixers: Mike Stax; Ray Brandes; John Strother.Liner Note Authors: Dave Klowden; Tell-Tale Hearts.Recording information: Music Machine, Santa Monica, CA (01/1984-12/1986); Primitive A-Go-Go, Springfield, MO (01/1984-12/1986); Silvery Moon Studios (01/1984-12/1986); Studio 517 Demos, San Diego, CA (01/1984-12/1986); Studio 517, San Diego, CA (01/1984-12/1986); Swinging Studios, Dulzura (01/1984-12/1986).Animation: Rick Wilson.Photographers: Tony S nchez; Michael White .Taking Brit blues invaders like Them, the Animals, and the Yardbirds as a template, not to mention plenty of `60s garage inspiration, San Diego`s Tell-Tale Hearts forged a fairly original beat homage between 1983-1986. A bit too gritty and blues-based to really fit in with L.A.`s contemporary Byrds and pop-psychedelia revival (the Rain Parade, the Three O`Clock, Plasticland), the Hearts only cut one album, an EP, and a smattering of singles and live tracks. This anthology brings together a handful of songs from their eponymous debut LP (including an outtake and some remixes), all of their Now Sound EP, five early demos, a few live cuts, and an Australian single. Compiled by bassist Mike Stax and featuring the snider-than-Van Morrison vocals of Ray Brandes, the 21-track collection includes studio highlights like "(You`re A) Dirty Liar" and "Me Needing You," as well as some super lo-fi demo covers and a live rendition of the Seeds` "Satisfy You." The place to start and most probably end your Tell-Tall Hearts shopping spree. ~ Stephen Cook Copyright (C) Muze Incorporated 2005. For personal use only. All rights reserved.
$14.99
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Tell Tale Hearts - High Tide: Anthology: 1983-1986Tell Tale Hearts: Ray Brandes (vocals, percussion); Eric Bacher, Peter Meisner (guitar); Bill Calhoun (harp, piano, organ, backilogramround vocals); Mike Stax (bass, backilogramround vocals); David Klowden (drums).Recorded between 1984 and 1986. Includes liner notes by Mike Stax.Personnel: Ray Brandes (vocals, percussion); Eric Bacher (guitar); Bill Calhoun (harp, piano, organ, backilogramround vocals); Mike Stax (bass guitar, backilogramround vocals); Dave Klowden (drums).Audio Remixers: Mike Stax; Ray Brandes; John Strother.Liner Note Authors: Dave Klowden; Tell-Tale Hearts.Recording information: Music Machine, Santa Monica, CA (01/1984-12/1986); Primitive A-Go-Go, Springfield, MO (01/1984-12/1986); Silvery Moon Studios (01/1984-12/1986); Studio 517 Demos, San Diego, CA (01/1984-12/1986); Studio 517, San Diego, CA (01/1984-12/1986); Swinging Studios, Dulzura (01/1984-12/1986).Animation: Rick Wilson.Photographers: Tony S nchez; Michael White .Taking Brit blues invaders like Them, the Animals, and the Yardbirds as a template, not to mention plenty of `60s garage inspiration, San Diego`s Tell-Tale Hearts forged a fairly original beat homage between 1983-1986. A bit too gritty and blues-based to really fit in with L.A.`s contemporary Byrds and pop-psychedelia revival (the Rain Parade, the Three O`Clock, Plasticland), the Hearts only cut one album, an EP, and a smattering of singles and live tracks. This anthology brings together a handful of songs from their eponymous debut LP (including an outtake and some remixes), all of their Now Sound EP, five early demos, a few live cuts, and an Australian single. Compiled by bassist Mike Stax and featuring the snider-than-Van Morrison vocals of Ray Brandes, the 21-track collection includes studio highlights like "(You`re A) Dirty Liar" and "Me Needing You," as well as some super lo-fi demo covers and a live rendition of the Seeds` "Satisfy You." The place to start and most probably end your Tell-Tall Hearts shopping spree. ~ Stephen Cook Copyright (C) Muze Incorporated 2005. For personal use only. All rights reserved.
$19.10
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Memoirs of the Empress Eugenie V1Memoirs of the Empress Eugenie V1
$23.77
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Personalized Nautical Tide ClockObserve your favorite United States coastal waterway whilst checking the tide with this Hand-crafted nautical clock.
$119.00
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Weems and Plath 540300 Chrome Endurance 125 Time and Tidecombination quartz and tide clock movement which averages the atlantic lunar tidal rhythyms. the tide sector is calibrated for the east coast of the United States of America. uses a aa battery. (note: the clock will work for other areas of tidal waters but will require to be reset more often.) will never tarnish or corrode so it is maintenance free! weather proof and designed to be used outdoors introduces the new weems slide n lock attaching system with no visible attaching screws that enables for simple removal for adjustments storage and security features a lifetime guarantee on finish and movements specifications: dial: 4-7/8" (125 mm) base: six inches (152 mm) depth: 1-5/8" (41 mm) weight: one 3/10 pounds (589 g)
Sale price $139.99
Save on normal price of $181.99
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![Trenches - The Tide Will Swallow Us Whole [9/16]](http://cdn.overstock.com/images/products//muze/music/P1036539.jpg)
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Trenches - The Tide Will Swallow Us Whole [9/16]Trenches: Joel David Lauver (vocals, guitar, keyboards, programming); Jimmy Ryan (vocals); Eli Chastain (guitar); Bill Scott (bass instrument); Phil Hook (drums).Personnel: Ryan Clark (vocals).Audio Mixer: Joel David Lauver.Former Haste the Day singer Jimmy Ryan`s new project, TRENCHES, boasts a monumental sound big and powerful enough to bore a hole (or trench) through solid bedrock. Similar in scope to bands like Isis and Pelican, the music on THE TIDE WILL SWALLOW US WHOLE is swirling, elemental, and all-consuming. Songs rarely clock in at under 4:00, with long passages of cascading guitars and meditative breaks where the rhythm section creates a temporary sense of peace. Ryan`s tortured screams are carried in the wake of slow-rolling tidal waves like "Ocean Currents" and "Sacrament." Copyright (C) Muze Incorporated 2005. For personal use only. All rights reserved.
$16.92
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![Trenches - The Tide Will Swallow Us Whole [9/16]](http://cdn2.overstock.com/images/products//muze/music/P1036539.jpg)
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Trenches - The Tide Will Swallow Us Whole [9/16]Trenches: Joel David Lauver (vocals, guitar, keyboards, programming); Jimmy Ryan (vocals); Eli Chastain (guitar); Bill Scott (bass instrument); Phil Hook (drums).Personnel: Ryan Clark (vocals).Audio Mixer: Joel David Lauver.Former Haste the Day singer Jimmy Ryan`s new project, TRENCHES, boasts a monumental sound big and powerful enough to bore a hole (or trench) through solid bedrock. Similar in scope to bands like Isis and Pelican, the music on THE TIDE WILL SWALLOW US WHOLE is swirling, elemental, and all-consuming. Songs rarely clock in at under 4:00, with long passages of cascading guitars and meditative breaks where the rhythm section creates a temporary sense of peace. Ryan`s tortured screams are carried in the wake of slow-rolling tidal waves like "Ocean Currents" and "Sacrament." Copyright (C) Muze Incorporated 2005. For personal use only. All rights reserved.
$13.28
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Trenches - The Tide Will Swallow Us Whole [9/16]Trenches: Joel David Lauver (vocals, guitar, keyboards, programming); Jimmy Ryan (vocals); Eli Chastain (guitar); Bill Scott (bass instrument); Phil Hook (drums).Personnel: Ryan Clark (vocals).Audio Mixer: Joel David Lauver.Former Haste the Day singer Jimmy Ryan`s new project, TRENCHES, boasts a monumental sound big and powerful enough to bore a hole (or trench) through solid bedrock. Similar in scope to bands like Isis and Pelican, the music on THE TIDE WILL SWALLOW US WHOLE is swirling, elemental, and all-consuming. Songs rarely clock in at under 4:00, with long passages of cascading guitars and meditative breaks where the rhythm section creates a temporary sense of peace. Ryan`s tortured screams are carried in the wake of slow-rolling tidal waves like "Ocean Currents" and "Sacrament." Copyright (C) Muze Incorporated 2005. For personal use only. All rights reserved.
$13.95
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Trenches - The Tide Will Swallow Us Whole [9/16]Trenches: Joel David Lauver (vocals, guitar, keyboards, programming); Jimmy Ryan (vocals); Eli Chastain (guitar); Bill Scott (bass instrument); Phil Hook (drums).Personnel: Ryan Clark (vocals).Audio Mixer: Joel David Lauver.Former Haste the Day singer Jimmy Ryan`s new project, TRENCHES, boasts a monumental sound big and powerful enough to bore a hole (or trench) through solid bedrock. Similar in scope to bands like Isis and Pelican, the music on THE TIDE WILL SWALLOW US WHOLE is swirling, elemental, and all-consuming. Songs rarely clock in at under 4:00, with long passages of cascading guitars and meditative breaks where the rhythm section creates a temporary sense of peace. Ryan`s tortured screams are carried in the wake of slow-rolling tidal waves like "Ocean Currents" and "Sacrament." Copyright (C) Muze Incorporated 2005. For personal use only. All rights reserved.
$11.91
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More tidal clocks:
Boating
and Sailing Gifts
Anniversary
clocks
Harry Potter clocks at Broomsticks and Owls
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